BRUNO SCHULZ MITYZACJA RZECZYWISTOCI PDF

BRUNO SCHULZ MITYZACJA RZECZYWISTOCI PDF

As we all know by now, the reception of Bruno Schulz’s work is a long story, vast in scope. 37 B. Schulz, Mityzacja rzeczywistości, in Opowiadania, p. famous essay Mityzacja rzeczywistosci [The Mythization of Reality], nMityzacja rzeczywistosci, in Bruno Schulz, Proza (Krakow: Wydawnictwo. Literackie. 2 “Poezja – to są krótkie spięcia sensu między słowami, raptowna regeneracja pierwot-nych mitów.” Schulz, Bruno: “Mityzacja rzeczywistości”. In: Schulz, B. and .

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The thousandfold yet integral organism of the word was torn into individual phrases, into letters, into colloquial speech and in this new form, applied to practical needs, it has come down to us as an organ of understanding.

Schulz, Bruno: Mityzacja rzeczywistości

The original word was an hallucination circling the light of meaning, was the great universal totality. The thousandfold yet integral organism of the word was torn into individual phrases, into letters, into colloquial speech and rzeczywstoci this new form, applied to practical needs, it has come down to us as an organ of understanding. Rzecztwistoci that reason, every kind of poetry is an act of mythologization and tends to create myths about the world.

The word in its colloquial, present-day meaning is now only a fragment, a rudiment of some former, all-encompassing, integral mythology. Poetry is the short-circuiting of meaning between words, the impetuous regeneration of primordial myth.

For that reason, every kind of poetry is an act of mythologization and tends to create myths about the world. Co nie ma sensunie jest dla nas rzeczywiste. At bottom, both one and the other have the same aim. In the hands of the poet, the word, as it were, comes to its senses about its essential meaning, it flourishes and develops spontaneously in keeping with its own laws, and regains its integrity.

Poetry re-cognizes the lost meanings, restores words to their proper place, and links them according to their ancient denotations. Meaning is the element which bears humanity into the process of reality.

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The process has merely been restrained by the development of knowledge, has been pushed into a side channel, where it lives without understanding its true meaning. That which has no meaning is not real for us. Our rzefzywistoci sober concepts and definitions are distant offshoots of myths and ancient stories.

The spirit’s first and foremost function is to tell stories and to make up ‘tales’. The unnamed does not exist for us. At bottom, both rzeczywistocu and the schylz have the same aim. The original word was an hallucination circling the light of meaning, was the great universal totality.

We use cookies to ensure that we give you the best experience on our website. The isolated, mosaic-type word is a later product, is the result of technique.

The mythologization of the world has not yet ended. The old cosmogonies expressed this in the maxim ‘in the beginning was the Word’. But the reverse would be more accurate: The word in its colloquial, present-day meaning is now only a fragment, a rudiment of some former, all-encompassing, integral mythology. Co nie ma sensu, nie jest dla nas rzeczywiste.

For that reason, it retains within it a tendency to grow again, to regenerate, to become complete in its full meaning. Poetry arrives at the meaning of the world mityzafja, deductively, on the basis of great and daring short-cuts and approximations.

Bruno Schulz

Philosophy is really philology, the creative exploration of the word. Knowledge tends to the same inductively, methodically, taking the entire material of experience into account.

But when in some way the injunctions of practice relax their strictures, when the word, released from such coercion, is left to its own devices and restored to its own laws, then a regression takes place within it, a backflow, and the word then returns to its former connections and becomes again complete in meaning – and this tendency of the word to return to its nursery, its yearning to revert to its origins, to its verbal homeland, we term poetry. Poetry re-cognizes the lost meanings, restores words to their proper place, and links them according to their ancient denotations.

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It is an absolute given.

But when in some way the injunctions of practice relax their strictures, when the word, released from such coercion, is left brun its own devices and restored to its own laws, then a regression takes place within it, a backflow, and the word then returns to its former connections and becomes again complete in meaning – and this tendency of the word to return to its nursery, its yearning to revert to its origins, to its verbal homeland, we term poetry.

The Mythologization of Reality English The essence of reality is meaning. At present we consider the word to be merely a shadow of reality, its reflection. In the hands rzeczywkstoci the poet, the word, as it were, comes to its senses about its essential rzcezywistoci, it flourishes and develops spontaneously in keeping with its own laws, and regains its integrity.

Translated by John M. It seeks this meaning on the heights and scaffolding of its artificial mounds. The spirit’s first and foremost function is to tell stories rzeczywistoxi to make up ‘tales’. But knowledge, too, is nothing more than the construction of myths about the world, since myth resides in its very foundations and we cannot escape beyond myth.

Bruno Schulz | Open Library

Nienazwane nie istnieje dla nas. Why something should appear meaningful to us is impossible to define. The life of the word and its development have been set on new tracks, on the tracks of practical life, and subjected to new notions of correctness. But the reverse would be more accurate: Poetry is the short-circuiting of meaning between words, the impetuous regeneration of primordial myth.

To name something means to include it in some universal meaning. It is an absolute given.

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